Tag Archives: closed captioning

Recommended Reading for November 26

They hate you. Yes, you.

Because the first thing people use on us is always, “It’s not about you.” When I was a kid, when I first started reading about autism rights, it was so instinctive: of course it’s wrong to say “cure autism now.” Of course it’s wrong to say autism is a tragedy, a disease, it’s wrong to give kids electric shocks, it’s wrong to say you thought about killing your kid in a video about eliminating autistic people from the gene pool. Like Sinclair says it’s wrong to mourn for a living person. All this stuff was plain and clear and bright, and I was autistic, and I was being attacked.

Right?

Well, not to anyone else.

YouTube now adding close captioning automatically

We received word from our new star writer Tara that YouTube will begin using a machine to produce close captioning for its videos. At first, the “auto-caps” will only be seen on a select number of videos of the nearly 20 hours of footage uploaded to YouTube every minute.

This is an excellent step in the right direction to add more accessibility to the second most popular search engine on the planet. Deaf and hearing-impaired gamers will now be able to begin looking up cheat codes for their favorite video games just like everyone else!

Accessibility and Table Top Gaming: Rulebooks

To fully understand what accessibility means in a gaming context, game players and game designers need to think beyond simply what our own abilities are, and consider a larger audience that may not share the same physical abilities. If a game requires pointing a nerf gun at other players, how can you adapt the game (or can you?) for people who can’t point a nerf gun?

Also, proper accessibility for games requires not just that people with disabilities are able to participate, but that they can participate fully. In other words, in games with a Dungeon Master or Gamemaster, people with disabilities need to be able to take those roles as much as any other player of the game might. Game accessibility includes the ability to be the GM.

Captchas: The Bain of everyone’s Existence

So the question is how do you make a captcha accessible, without making it solvable by spam bots? There are actually many options. The current audio captchas include, typing in a set of numbers that you hear, and typing words that you hear. The draw back to both of these is that they can be difficult to hear, or too challenging. I often have to listen at least 2 to 3 times and then I still worry that I’ll get it wrong, but at least this option gives me the potential of being able to submit the form. Another option, and one of my favorites is to make the captcha a question that you have to solve, such as, “what is 2 plus four?” This is a simple math problem that most people should be able to solve, but it isn’t something a computer can solve. Finally, there soon will be a new option thanks to the work of the NFB and Townson University. They’re new system will use pictures of familiar objects and sounds that correspond to the pictures. If you are listening, the answer to the captcha is whatever the sound corresponds to. So for example the image may be of a lion, and the sound would be a lion roaring. The answer to the captcha is lion.

In the news:
New Grants Aim To Get More Disabled People Volunteering [UK]

Organisations can apply for grants between £250 and £5,000, which can be used to help overcome barriers that stop disabled people volunteering, such as specific equipment, a lack of suitable access and understanding of disability issues.

These grants are part of the £2 million ‘Access to Volunteering Fund’, which was developed by the Office of the Third Sector as a pilot scheme in Greater London, the West Midlands and the North West.

Please note: I’m in thesis crunch time now, so don’t hesitate to send me links to your own stuff, to other people’s stuff, or to the news, because my reading time on the internet is getting more and more limited. anna@disabledfeminists.com

Recommended Reading for October 28

Join Marlee Matlin in Demanding Captioning of Online Video Content

Academy-Award-winning actress Marlee Matlin has been using her Twitter account to actively lobby for captioning of all the digital video content that is flooding onto the Web. The issue has rightfully hit a boiling point for the deaf community because Netflix and other services are now streaming video online without captions.

The National Association of the Deaf sent a letter to Netflix Oct. 5 complaining about the lack of captioning for “The Wizard of Oz,” which was available for download free at the Netflix Web site as a promotion.

Matlin points out the irony of a recent video about the Helen Keller statue unveiling at the U.S. Capitol on the CNN Web site that has no captions!

Related: How to add Subtitles and Translations to your Vids, Captioning Sucks!.

Ableism in 30 Rock [Includes an embedded video from HULU that is not available outside of the US]:

A lot of feminists love 30 Rock. As they should: it’s a funny show, and a rarity for television – a women-fueled enterprise with a two main female characters, written and conceived of by a woman. That is Cool, full stop. And 30 Rock has many deft explorations of the many facets of being a white, middle-class, straight, woman with able privilege. But persons with disabilities don’t fare quite as well.

30 Rock trades on ableism on an almost episodic basis. The show’s disrespect towards folks with disabilites, particularly those with visible disabilities, is constant and unrelenting from side gags to b-plots to regular characters. 30 Rock constantly places bodies with able privilege in a position of supremacy above bodies with visible disabilities through humiliation and devaluation. Its abuse of persons with disabilities in the name of comedy goes beyond the casual ableist language like “lame” or “retarded”. Such language is unfortunately ubiquitous to even shows that have been critical of ableism (eg, The Office has critiqued ableism through Michael Scott’s typical obliviousness on a couple of occasions, but, as in life, “lame” and occasionally “retarded” is still a consistent presence) but 30 Rock’s ableism is constant, humiliating, and dehumanizing.

An Example of an Article about FSD [FSD = Female Sexual Disfunction]

I’m still not fully understanding the claim that FSD is profitable. If that’s the case, why is it so difficult for me, someone who falls into the pain category, to find a doctor who is equipped to handle me? My experience is that often, my first line of defense doctors get tired of seeing me after I don’t respond to conventional treatments. I think right now my local gyno probably never wants to see me again.

The article goes on to talk about hysteria. For the most part I don’t find this section of the article to be inherently problematic. Except for the part about “pelvic congestion,” being in quotes, since it is mentioned as a real thing in Heal Pelvic Pain (p. 16)

Identifing:

But the real reason it followed me and stayed there in the back of my mind was the times I thought, “Wait. That’s me.” And then my guilt complexes came in full-force, telling me no, you can’t call yourself that, that’s for people with real problems, any problem you have is just in your head. And maybe most of them are in my head, but well, it doesn’t make them any less real. It doesn’t make it any less hard to me to function or to try and figure out how to fit into society. It doesn’t make my very concrete limitations disappear.

In the news:

Clem7 Tunnel Labeled a death trap for the disabled [Australia]:

BRISBANE’S Clem7 tunnel could be a death trap for the aged and infirm, a disability group has warned.

Queensland’s Spinal Injuries Association said the 4.8km-long tunnel’s emergency exits were too far apart and too narrow for people with mobility problems to escape an underground disaster.

Mr Mayo argues there are no design rules for tunnels but believes this infrastructure should follow the Australian Building Code which mandates emergency exits at every 60m in buildings.