FWD Retrospective Week: Pop Culture Edition
Welcome to FWD retrospective week! We’ve taking a look back at some of our favourite posts on a variety of themes over the next week.
Hipster -ism is a type of humour which people use because they mistakenly identify it as edgy and transgressive. The idea is that it’s funny because it’s pushing social boundaries and norms. Indeed, it’s a way of thumbing one’s nose at the “PC police.” But, there are a few things about it which suggest that this is not the case.
I want to see people like me when I look at the television. It’s why I watch, to escape into a magical world that I think I might be able to inhabit. And it’s easier for me, as a viewer, to place myself in that world when I see people like me. I think a lot of people feel like this. There’s a distance involved when you can’t connect with any of the characters, experientally.
Gosh, I wonder why there aren’t any Big Name Child Actresses who are d/Deaf or blind (or both) and can thus play Helen Keller. Do you think it’s because there aren’t enough roles that are given to such actresses so they can develop a name for themselves? Do you think it’s because any roles that could be given to a d/Deaf or blind actress are given to non-disabled actresses? Do you think there might be some sort of bias going on in casting decisions that might be impacting this at all?
That’s right, suddenly, with no history of protest whatsoever, people with disabilities were complaining about the show! Just days before it aired its Very Special Disability Episode, “Wheels”! Who would have imagined!
Or, more accurately, people with disabilities have been talking about issues with the show since the first trailers hit the internet, with incisive commentary after the first episode was aired, but this only became of interest just a few days before the show wanted everyone to see how “serious” they were.
Lyrica: Every time I see this one, I want to yell at the TV, particularly when the one featuring the classy middle-aged lady who bakes bread has somehow made its hellish way into my precious rerun of Dirty Jobs or another show that I don’t like to admit to enjoying. The actress in this ad pronounces “Fibromyalgia” like it’s a seasonal root vegetable or something (like “FYE-bro-MY-al-GEE-AH”) and all I can do is give the television my most hateful death glare. Oh, and even better is when she says that “My doctor diagnosed it as FYE-bro-MY-al-GEE-AH muscle pain,” and I want to scream, “Lady, IF YOU KNEW what fibro was actually like, you would not be saying that. You would probably be in too much pain on some days to do very much.”
They don’t know how to dress professionally! They expect to march into the workplace of their choice and immediately start making a six figure-salary! They think they are perfect! They want praise all of the time! They have tattoos, dyed hair, and iPods! EVERYBODY PANIC, because the American workplace is apparently going to be dragged down by Generation Y’s entitlement, narcissism and laziness! This narrative, however, seems to apply mostly to a very specific subset of the population (and even the picture that accompanies the NYT article reinforces this): young, able-bodied, middle to upper-middle class, college-educated white people.
Ableism is there when a liberal makes “jokes” about a condition or conditions that ou does not have, such as Restless Leg Syndrome. Or OCD. Or depression. Or schizophrenia. Or chronic fatigue syndrome. Or mental disabilities. Often, these “harmless” jokes are made at the direct expense of people with disabilities or health conditions — both physical and mental. Ableism is there when someone insinuates that diet changes (EAT ORGANIC!!11) and exercise (What? You mean you DON’T work out every day?!) are the solution to all bodily problems, including disabilities, mental health issues, and chronic health conditions. It’s there when someone calls those on the opposite side of the political spectrum “insane.”
Unfortunately, Evelyn Evelyn seems like a project that is far from actually being transgressive, even given the initial appearance of said transgression (because what’s more shocking and weird than conjoined twins, at least according to abled culture?). The project, as far as I can tell, makes no reference to the ways in which actual people with disabilities are treated in Western culture; this probably seems like a tall order for any musical project, but there is a chasm of difference between at least acknowledging that there are people like this (in this case, conjoined twins) who do exist and that they probably are affected by ableism, and outright appropriation of this uniqueness in the name of art.
This type of philosophy places an untoward emphasis on the individual: You control your reality. You control what happens to you. You control how much money you make. You deserve the best. Solving problems or helping others is beneath you, because it is all about you. You’ve got the world on a string, (sittin’ on a rainbow!) and it’s yours for the taking. Why help others, when you can just attract everything you want with your thoughts?
To that list of marginalised groups, of people who are often denied truly informed and supported choices, we can perhaps add – people pregnant with fetuses who may have a prenatal diagnosis of a disability. […] As a feminist, I believe that we can have the abortion-rights conversation without marginalising, othering, and disparaging people with disabilities.
Because disability can be all of these things, and none of these things. Disability isn’t a checklist, or a fixed point. Disability – and normalcy – are socially constructed. Disability is the interaction between a characteristic or a group of characteristics often called “impairments”, and a world that recognises people with these characteristics as abnormal.
What stories like this do is assume an abled readership. At least, I hope so, because consciously putting all this stuff onto young disabled people is a bit much. If a good part of writing fantasy/SF/spec for young people is to assist them in escaping and building up their imaginations and experiences, where are disabled youth to live out fantasy lives? Disabled youth are quite as deserving of an imaginative playground in which to develop their minds and thought as anyone else. In fact, I think it’s particularly vital that people so marginalised in the world be given opportunities to work at rich internal lives.