I’m back on a video kick this week.
Up first, a modern dance composition by Laura Jones. ‘Re:Bound’ is a very dynamic piece. Jones moves sinuously, using her whole body very expressively, and the music is rather moody. You can read an interview with Laura Jones published at Ballet-Dance Magazine if you’re interested in learning more about her. Here’s an excerpt from the interview:
At the age of 16, a week into starting my course, I suffered from a spinal bleed which left me paralysed from the chest down. So, just when I had decided what I really wanted to do, I felt it was taken away from me. But my tutors at college were just fantastic. They said: “Come back and finish, at least some parts of the course… you’ll still be able to do the theory… so, come back!” As the course progressed, they kept saying: “Well, I don’t see why you shouldn’t do this part of the course as well … and you can do your solo choreography … and you can do the set study, surely… and why don’t you try to do the notation as well?” So with their support and encouragement, I ended up completing the whole of the course and became the first student to complete 100% of the Dance A-Level in a wheelchair! And that’s something that no one can take away from me!
And the dance piece itself:
I’m a huge fan of this American Sign Language (ASL) music video; it’s an interpretation of ‘Single Ladies’ by Beyonce. It’s a very catchy pop tune; you can find the lyrics here. Jubil Khan, the performer, is deliciously talented and expressive. The choreography is fairly simple. She’s mostly standing in front of a wall, facing the camera and Signing while dancing. For an ASL version of ‘Single Ladies’ with choreography, you can check out another version here.
Here’s an interesting time-lapse video of Mariam, a member of the US Association of Mouth and Foot Painting Artists, creating a piece called ‘Larval Eye Hive.’ I admit to having an irresistible adoration for time-lapse videos of works of art and architecture being created; I love watching things sprout on the page or the landscape. Your mileage may vary, but I hope it’s at least a bit interesting for you!
The video shows her from start to finish, using her mouth to manipulate pastels and other drawing tools. There is a sound track, but it’s just music (which I didn’t find particularly scintillating). The finished piece is a humanoid figure wearing a striped shirt. The figure’s face has a very long nose and four sets of eyes in different colours, and the background has text in block letters: ‘Interworldness beyond the ever flowing never known in the larval eyes hive of this life that like the simile that smiles come back to cla-[I didn’t catch the rest because the camera kept shying away]’