2 responses to “Accessibility Policies Done Right: The Metropolitan Museum of Art in New York City”

  1. Karolynprg

    The Met is pretty great as far as disability goes. There are seats in nearly every gallery, and plenty of little nooks and crannies in which one can rest, if need be. When my mobility started decreasing at a rapid clip, it remained one of the few places that was always comfortable to maneuver. The Great Hall being the exception, purely for the throngs of people who have just entered and are not paying attention to anything else but their group. Easy to get jostled about.
    While the situation at the Cloisters is problematic, I prefer it when websites give me a heads up about non-accessible stuff to pretending they are because they can get by on some technicality without actually being accessible. Like having rails in a non-accessible bathroom stall (LACMA, I am looking at you) or offering wheelchairs at the entrance (the Alhambra is not accessible, regardless of how many staff members insist it is).

  2. Karolynprg

    Ack! More:
    The Louvre is exceptional when it comes to accessibility modifications of a historical space. The caveat is that in some of the more arcane spaces, this is done by a metal lift onto which one wheels themselves, then is propelled over the flight of stairs. On their own, they’re fine, but the stress of using those combined with the relative obscurity of the work in those gallery spaces makes that area something I’d recommend skipping.
    However, their staff seems well trained to deal with the difficulties of viewing art from a chair in such a crowded space. In the cases of work with a long queue/crowd for viewing (like the Mona Lisa), we were approached, asked if we’d like to view the work, then escorted in front of the crowd so we would be able to see it without peering around fannypacks. Their staff doing this alleviated a lot of the stress and anxiety we had about asking people to move, or simply missing out on viewing stuff.

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